Autodesk set to launch a real-time, immersive, game engine for architects
December 31, 2008, 6:00 am
Filed under: its about time! | Tags: , ,

I think I’ll file this under the ‘its about time!’ category:

“At Autodesk University, we billed Project Newport as a game engine for architects. Our Discovery Space was constantly buzzing with visitors who wanted to navigate Revit models using game controllers, Wimmotes, or the KOMME®Z table,”  writes Scott Sheppard from Autodesk Labs wrote in a recent post.

From the Project Newport teaser site: “…real-time 3D story building technology for architectural visualization and presentation. With breakthrough game-engine technology, Project Newport is easy to use and enables architects to show their designs in context.  They can explore design options, visualize changes instantly, and create vivid, immersive 3D presentations.”

I also found a quote suggesting you can “Watch virtual reality buildings come to life—no headgear required. ” found here.

I can’t wait!  I’m afraid it might have more to do with interface than true virtual immersion or avatars, but it really got me thinking…

We live in a world where it has become second nature for millions of people to cruise through zettabytes of 3D content using game controllers and 1st person avatars using game consoles and PC games.  Yet, visualizing architectural design is still the exclusive domain of prescriptive and expensive 3D animation – generally reserved only for high end commercial projects.  The 3D modeler of architectural design is a kind of magician that can transform even the most mundane design into an inspiring and choreographed escapade complete with techno music thumping in the background and cars zipping around the streets.

Don’t get me wrong, I get a kick out of those ‘gee-whiz’ architectural animations the same as anyone else.  I’ve even employed them in my own practice a time or two.  They certainly do have important value.  But is that really the way people experience architecture?  When will I ever be flying at 200 miles per hour 30 feet off the ground, circling around a building from above before bursting through the entrance and gliding effortlessly through walls – panning around the interior spaces before breaking through the roof and ascending into orbit?  That’s simply not how people experience buildings.  People don’t fly through buildings, and they don’t bounce and ricochet off of walls like predictable pin-balls – they meander and spiral around at their own pace, taking their time to explore it however they wish.

For over 10 years now, we have been able to explore relatively complex architectural structures inside of games like Everquest and Quake, where the user is given full control to navigate 3D space however they wish, alongside other players from all over the world.  Of course, these were simple, relatively low resolution models by today’s standards, but they were adequate for conveying a sense of place – and space.  If they weren’t effective in describing architectural intent, clear wayfinding and navigable spaces, those games would have gone clunk long ago.  Yet, hundreds of thousands of people continue to flow through those spaces every day (in fact, I learned recently that there are still people camping the newbie log outside of Neriak to this day! =)  We’re still talking about a world created over a decade ago…

If I can play hide and seek inside of a relatively complex building in Quake or Everquest, why couldn’t that building be a schematic of a new dental clinic my firm is designing?  What if the other people exploring the space weren’t trying to vaporize each other with photon cannons but were instead stakeholders in the project – the clients, the builders, the bankers?

The emphasis with game worlds is on immersion.   That means a big part of a game designer’s job is to make you feel like you are actually inside of that space.  Anyone who has spent a few hours tooling around inside of a 1st person game knows how immersed and ‘there’ you can really feel inside of a virtual space.  Given the enormous expense and risk of investing in architecture, why can’t clients be given the chance to feel truly immersed and given the chance to tool around inside of their new building before they spend millions of dollars on it?  If I could explore the the fortress of Neriak in Everquest 10 years ago, surely by now we have the technological prowess to enable the patrons of architecture to experience the buildings they’ll be forced to live with?

This gets even more interesting when programs like Second Life provide the general public an opportunity to build and experience 3D content without a massive up-front expense.  Surely the sheer quantity of content created and widespread interest generated during the few short years since Second Life’s genesis says something about the future potential of this technology.  It isn’t all about castles and beach cabanas either.  One day I asked a new renter on Architecture Island who had imported a floor plan and stretched prims over the walls if she was an architect.  She said, “no, but my company is working with an architect to design our new office space, and I want to visualize what it will feel like inside.”  Wow.  Here you have an architect’s client – unable to visualize a design concept – going so far as to create an avatar, rent some virtual land, learn how to import a floor plan, and how to build… just for the chance to visualize a design concept on her own terms.

Imagine what will happen when tools like Second Life enable clients to remove the veil of an architect’s design by modeling it themselves to see what it will *really* be like, and invite their colleagues inside to tour it together in real-time.  Or better still, what will happen when the general public decides to rally against a controversial design not by arm-wrestling ineffectively through a planning session but instead inviting citizens into a virtual mock-up in Second Life that better illustrates their case against it?

Is the lack of virtual visualization of real life architecture really about waiting for technology to make it possible?  Or, is the technology here, but architects just don’t want it?  Or could it have more to do with fear of losing control?  Obviously, the more an architect reveals about a design, the more there is for the client to evaluate, and the more likely it is the design will be criticized.  Its the same reason many architects try to limit the number of 3D drawings they show clients, and stick to 2D plans and elevation drawings.   Some architects might even tell you that the client shouldn’t really be concerned with understanding the building beyond what their illustrations convey (after all, you don’t tell a surgeon how you’d like your surgery performed… pfft).  It isn’t because they lack the ability or time to produce the 3D drawings,  its because they don’t want to risk the exposure and revision requests.  But as increasingly sophisticated (and free) 3D tools are made available to the public, a new dynamic could emerge.  Before long, clients will be able to simply model their new building on their own with free software (in fact, they already can, and do!).   How might that transform the design development and client review process?

Plenty of design review boards are now requiring full fledged BIM models for consideration, a technology that is still relatively inaccessible to the public at large. But what happens when someone figures out how to import a BIM into a publicly accessible virtual world?  There has certainly been no shortage of discussion and experimentation toward this end, with some promising ideas moving forward.  I don’t know much about the technical limitations, but I do know that I was already able to import a parametrically generated model created in professional architecture software into realXtend.  What will happen when someone distills a fluid working path between BIM and OpenSim (or Second Life?)?  I’m sure the patrons of architecture will be eager to be given a chance to tool around inside of their soon-to-be new buildings, better understanding the entire design from a more holistic perspective, before construction even starts.  I wonder how that might transform the design and approval process?  It seems inevitable, and will definitely be exciting to witness.

So what does this diatribe have to do with Autodesk’s Project Newport?  Well, under normal circumstances, I would imagine a product like this taking years to effectively reach the market – with a strong likelihood of never making it to the mainstream.  It might draw crowds to a demo booth at AU, but will it ever really be adopted?  The general vibe always seems to be that people are still struggling to get from AutoCAD to BIM, and aren’t ready to consider how virtual worlds or game engines might fit into their practice.   However, given the momentum, support, awareness and potential cost-effectiveness of bridging architectural software with virtual worlds on a grassroots level, it seems likely that Project Newport could evolve faster than anyone might have anticipated.    I certainly hope so!

I’ve always wondered which would come first, avatars inside BIM software or BIM software with avatars.  Its exciting to see that the race is on!

Importing Sketchup Models from Google 3D Warehouse into realXtend
December 23, 2008, 10:18 pm
Filed under: Uncategorized | Tags: , , , , ,

This looks very promising! I haven’t had a chance to test it out yet, but I had already imported models into realXtend using the Ogre mesh import, and this looks a whole lot easier than it was the last time I tried!

Read the step by step tutorial on importing a model directly from Google 3D Warehouse into realXtend on Peter Quirk’s blog HERE. Screenshot by Peter Quirk.

Venice Italy on New World Grid in OpenSim
December 23, 2008, 8:30 pm
Filed under: Uncategorized | Tags: , , , ,

“Here’s a photo by Olish Newman of “Venice, Italy”, a region on an OpenSim project called The New World Grid.”

via New World Notes

UC Berkeley Deptartment of Architecture’s ‘Virtual Smithsonian’ in Second Life

“A virtual museum designed by undergraduate architecture students at the University of California at Berkeley.
Come visit the museum at “Bear Island” in Secondlife: SLurl”

Maybe we can provide a virtual critique by way of blog comments, or perhaps schedule a tour with someone from UC Berkeley sometime in January?  I’m not sure how long it will be live, but hope to share more soon!

Importing KML into Second Life
December 23, 2008, 8:01 pm
Filed under: Uncategorized | Tags: , , ,

Check out this ‘mashup of Google Earth and Second Life creating a collaborative 3D data visualization.’ from the National Oceanic & Atmospheric Administration

“Virtual worlds like Second Life allow users to show information in ways that are very difficult using other mediums”

via Architecture +

Celebration of Le Corbusier’s Poème Électronique
December 11, 2008, 2:49 pm
Filed under: rl architecture | Tags: , , ,
On Wednesday December 17th, Philips will celebrate the legendary Poème Électronique on the Philips island in Second Life.  A historic presentation, opening of the virtual replica and a round table discussion on how the Poème Électronique can inspire us to co-create the future. Please click on the image below for more information. The event will start at 11 AM SLT / 20:00 CET.   When the event opens, it can be accessed here:
Le Corbusiers Poeme Electronique

Le Corbusier's Poeme Electronique

See Poll Results for Architecture in Virtual Worlds Questions
December 10, 2008, 3:14 am
Filed under: Uncategorized

COMMISSION #3: Opening and free workshop today! 1 December 2008

6.30-7.30pm GMT (10.30-11.30am SL Time), Monday 1 December 2008: join the workshop in reflexive architecture

8pm GMT (12 noon SL Time), Monday 1 December 2008: attend the launch

SLurl: teleport to 2ND LIVE (83, 171, 22)

The Project:
In physical reality, the architectural shell is a relatively static and motionless artifact. The occupant plays a passive role, observing but rarely impacting its composition. Winston Churchill’s statement, ‘We shape our buildings and afterwards, our buildings shape us,’ illustrates this point well. In a virtual environment, the architecture is capable of transcending the limitations of static buildings, and can become as fluid and dynamic as the communities of people it hopes to serve. The topic of this installation, ‘Reflexive Architecture’ is just one vector suggesting the emergence of a new language of virtual architecture, free from the habit of pure physical replication. In this way, we can shape our virtual buildings, and afterwards we keep shaping them.

The focus of this study is to utilize reflexive elements in the creation of a new Gallery of Reflexive Architecture. In keeping with the spirit of a user-generated environment, residents of the Second Life community are encouraged to create and exhibit their own applications of this concept. To encourage this process, a core set of ‘reflexive scripts’ have been open sourced that can be modified to create a wide variety of reflexive elements. Residents are encouraged to share their contributions to the gallery by contacting Keystone Bouchard. The scripts can be found here:

The Theory:
There is a polarizing tension emerging between virtual architecture primarily focused on replicating elements of physical reality, in contrast with architecture that explores purely virtual concepts not possible in any other medium. In an environment where avatars are free to create anything they can imagine, the vast majority of the architectural fabric created is still largely driven by very literal parallels to the physical world. This happens for good reason, as we have learned to visually organize the world around us, real or virtual, based on familiar cues and patterns. A roof may not need to protect us from the elements in virtual space, but it organizes a space. Even though you can fly, a ramp is still a strong wayfinding mechanism.

While we import these visual cues from physical reality with good cause, I think we also need to consider the native, inherent characteristics of this environment and build a new language of virtual architecture based on those characteristics. New architectural technologies such as steel, glass, elevators, and electricity have traditionally challenged architects and designers to explore new and unprecedented forms of architectural creation. The same will be true of virtual environments. What can we do in virtual space that could never have been done before?

In examining the differences between real and virtual environments, it becomes clear that physical architecture is relatively static and unchanging, whereas virtual architecture has the capacity to become far more dynamic; behaving more like a liquid than a static and passive artifact. I believe this seemingly simple distinction could serve as a core ingredient and driving force behind a new language of virtual architecture. In this way, the idea of reflexive architecture is not a new language of virtual design, but my hope is only to establish a simple diagram that I hope will inspire further progress and exploration of dynamic new forms of virtual architecture.

More about this concept can be found in these previous posts: